Quiet light, honest moments.

A small practice built around long days and short shot lists.

I shoot mostly on a Pentax 67 and a Leica M6, in available light. My favorite work happens in the last forty-five minutes before sunset — when nobody's posing anymore and we're just waiting for the kettle to boil.

I work with eight families and three weddings a year. Editorial and commercial inquiries go through my agent in Portland.