Pinewood StudioEleanor Pace · Photography

A small practice, by hand.

Pinewood Studio is one person, one small space above a coffee shop, and a slow shooting schedule. I shoot mostly on film, mostly in available light, and mostly in the last forty-five minutes of the day.

Eleanor Pace.

I learned to develop film in my mother's kitchen sink in Astoria, Oregon, when I was thirteen, and I haven't really stopped since. I trained at the school of repeating an exposure five times until I got it right, then took two years at Brooks for the technical part.

I spent six years assisting in commercial studios in Portland and Vancouver before opening Pinewood in 2017. The studio takes its name from the quiet stretch of pine and Douglas-fir north of Seaside that I grew up walking through.

I'm represented for editorial and commercial work by Coastline Agency in Portland. Personal work, portraits, and weddings come directly through this site.

— Eleanor
How a session usually goes

A small process, kept on time.

i.

You write me

Tell me what you have in mind. I'll write you back within a few days, even if I'm fully booked. We'll find a date or I'll send you to a friend.

ii.

We make a day of it

I show up early, drink your coffee, and we work through it slowly. I'd rather make twelve real photographs than two hundred forgettable ones.

iii.

The film comes home

Six weeks for full edits. A proof book in eight. Final prints when you ask for them. I keep negatives indexed, archived, and accessible to you for life.

Equipment & materials.

For people who want to know. Most of the bodies are older than I am; the lenses are older still.

Pentax 67Medium-format film
My main camera since 2010. 105mm and 75mm lenses. Loud, heavy, perfect.
Film body
Leica M635mm rangefinder
For weddings, travel, and anything that needs to disappear. 35mm and 50mm Summicrons.
Film body
Mamiya 7IIBackup & landscape
Replaced my 4×5 in 2018. Lighter to carry, almost as sharp, much faster to set up.
Film body
Film StocksMost of the time
Portra 400 (everything), Tri-X 400 (most B&W), Velvia 50 (landscape only). Bulk-bought, handled cold.
35mm & 120
Print & ScanIn-house lab
All scans done by hand on a Hasselblad Flextight X1. Prints on Hahnemühle Photo Rag, signed and numbered.
Archival
Booking · 2025–2026

Currently booking summer and autumn.